Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] price

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it from the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who will they think should pay for your unrest? Katniss. And what's worse, President Snow has managed to get clear that no-one else is safe either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to be one of the most mentioned books in the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from your start that The Hunger Games story was intended as a trilogy. Did it genuinely end the strategies by which you planned it from the beginning?

A: Very much so. While I did not know every detail, of course, the arc in the story from gladiator game, to revolution, to war, to the eventual outcome remained constant through the entire writing process.

Q: We understand you worked about the initial screenplay for any film to be depending on The Hunger Games. What may be the biggest difference between writing a novel and writing a screenplay?

A: There have been several significant differences. Time, for starters. When you're adapting a novel right into a two-hour movie you cannot take everything with you. The story has being condensed to match the newest form. Then you have the question of methods best to take a book told inside the first person and offer tense and transform it in a satisfying dramatic experience. In the novel, you never leave Katniss for the second and therefore are privy to all of her thoughts so you'll need a method to dramatize her inner world and to generate it possible for other characters to exist outside her company. Finally, you have the challenge of how to present the violence while still maintaining a PG-13 rating to ensure your core audience can view it. A lots of situations are acceptable over a page that may not be on a screen. So how certain moments are depicted could eventually be in the director's hands.

Q: Are you in a posture to consider future projects while working on The Hunger Games, or are you immersed inside the world you might be currently creating so fully who's is just too challenging to think about new ideas?

A: I've a number of seeds of ideas floating around within my head but--given very much of my focus is still on The Hunger Games--it is going to be awhile before one fully emerges and i also can commence to develop it.

Q: The Hunger Games is once a year televised event by which one boy and one girl from each with the twelve districts is forced to participate inside a fight-to-the-death on live TV. Exactly what do you think that the selling point of reality television is--to both kids and adults?

A: Well, they're often create as games and, like sporting events, there's an interest in seeing who wins. The contestants are generally unknown, which ensures they are relatable. Sometimes they've got very talented people performing. Then there is the voyeuristic thrill—watching people being humiliated, or taken to tears, or suffering physically--which I find very disturbing. There's also the possibility for desensitizing the audience, to ensure that once they see real tragedy playing out on, say, the news, this doesn't happen possess the impact it should.

Q: In case you were instructed to compete inside the Hunger Games, so what can you think your skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I was trained in sword-fighting, I guess my best hope could be to acquire hold of an rapier if there was one available. But the truth is I'd probably get with relation to its a four in Training.

Q: What can you hope readers can come away with once they read The Hunger Games trilogy?

A: Questions about how exactly elements in the books could possibly be relevant within their own lives. And, when they are disturbing, what you might do about them.

Q: What were some of your favorite novels when you're a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord in the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a more Hunger Game, but now it's for world control. While it can be a clever twist on the original plot, this means that there is less focus around the individual characters plus more on political intrigue and large scale destruction. That said, Carolyn McCormick will continue to breathe life into a less vibrant Katniss by showing her despair both at those she feels responsible for killing and at her own motives and choices. This is an older, wiser, sadder, and very reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn from the rebels along with the victim of President Snow, who uses Peeta to try and control Katniss. Peeta's struggles are well evidenced as part of his voice, which goes from rage to puzzlement to an unsure resume sweetness. McCormick also helps make the secondary characters—some malevolent, others benevolent, and many confused—very real with distinct voices and agendas/concerns. She acts as an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and unique challenges of each one with the main characters. A successful completion of the monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.